The Grim Reaper - Using Margaret Thatcher as an Archetype, this symbolic portrait of her reinterprets the traditional image of the Grim Reaper as the war mongering politician who not only uses war to further personal ambition, but has the arrogance to claim the 'glory' of winning, as a personal victory. Details with the Picture
Love Lost - Reinterprets the classic Persian legend of star crossed lovers, Laila and Majnun.Details with the Picture
Nyrmla's Wedding II - Depicts the popular tradition of painting auspicious patterns of 'Mehndi' on the hands of the bride, in preparation for her wedding day Details with the Picture
Paradise Lost (after Blake’s 'Temptation and Fall') - Reinterpreted the Biblical account of the temptation of Adam and Even in the context of 20th century technological and scientific advancements. Details with the Picture
Mr Singh’s India - Depicts the contemporary Glaswegian Sikh experience through various events, objects and symbols which place the relationship between these two communities within the wider context of the ongoing historical and cultural links between Scotland and Punjab. Details with the Picture
Painting the Town Red - This work combines what are generally recognised as two important hallmarks of popular Liverpool culture. Details with the Picture
'Nineteen Eighty-Four' (The Storming Of 'The Golden Temple') - Depicts the storming of the Golden Temple, the Sikh community's most holiest and historic shrine, by Indian troops in 1984. Details with the Picture
The New Arrival - Paintings in Hospitals Scotland (PiHS), the charity which puts works of art into hospitals and healthcare centres throughout Scotland, commissioned this new work in 2003 for its highly regarded collection of contemporary art. Details with the Picture
Battle of The Giants - Inspired by images of the Royal elephant fight, this painting depicts the clash between opposing teams of American Football and Rugby. Details with the Picture