Paradise
Lost (after Blake’s 'Temptation and Fall')
2000
Poster colour, gouache and gold dust on mount board
23 x 18cm (9 x 7in)
Artist: Rabindra K.D Kaur Singh
The
Biblical account of the temptation of Adam and Even is reinterpreted
in the context of 20th century technological and scientific advancements.
It questions mankind’s seemingly unquenchable thirst for knowledge
and also warns of the destructive potential of the misuse of knowledge
driven by political and economic greed in absence of moral conscience.
In
particular it addresses the more recent debates concerning genetic engineering
(symbolised by the unravelling strands of DNA that hang from the branches
of the tree of knowledge). The image offers a counter position to the
argument that research into this area can be controlled and that the
possible abuse of its application kept in check. Hand grenades - which
replace the apple, the traditional fruit of forbidden knowledge - along
with the atomic mushroom cloud seen on the horizon signify the repeated
lessons of past human experience where so called ‘advancement’
in science and technology have inevitably always been used by those
in power to cause more harm and suffering than good - both to human
life and the environment. Money, as the root cause of this manifestation
of evil, is symbolised by the serpent’s belly which is lined with
gold coins.
The
loss of paradise, therefore, is interpreted not as a theological concept
relevant only to the Christian context but as a continuing reality of
the here and now.